Sa, 26.10.2024, 21:00 Uhr
WHY THE EYE?, TINTIN’S MUSIKONG BUMBONG, RASPE, THE SLOW BROWN FOX and OJOO
BEEK keeps coming back, and each anticipation chases the next. Saturday night will ring in the third year of existence. We want to celebrate all the incredible encounters and sounds with WHY THE EYE?, TINTIN’S MUSIKONG BUMBONG, RASPE, THE SLOW BROWN FOX and OJOO. Once again, Hamburg based RASPE guides us through the night with her eclectic selection of interludes and guitar obscurity. Picking up where she left off with wonky silhouettes on a blurry, noisy stage. WHY THE EYE? drills with percussion-focused sequences, pulling us out of potential loops. The ears follow the convincingly placed clicks and clacks, while we observe member DjP’s assemblage of DIY instruments, some of which are directly inspired by African sanzas. Their latest album, Inspirex, evokes a laid-back, hydraulics-like electronica, yet is constantly acoustically warmed by the presence of undiscovered objects. Born in the Philippines, the musical phenomenon MUSIKONG BUMBONG, forms the basis of the Project. With its roots in the active period of the revolutionary society Kataastaasang, formed by anti-spanish colonialists and Filipinos in 1892 Manila, MUSIKONG BUMBONG’s members are currently based in Hamburg and Manila. Further engaging in the practice of using handmade bamboo instruments to imitate western aerophones, they cross tradition with experimental composition in a kazoo-driven, defiant credo. OJOO, based in Brussels, pays us a visit with a balanced blend of sounds that are distinctly her own: futuristic and distorted mutations twisting through dub, reggaeton, dembow, and grime, with occasional excursions into the noisy, gritty, and sludgy realms of illbient, musique concrète, and more—true to her unique style. THE SLOW BROWM FOX is a resident at Sameheads and the creative force behind the Psychedelic Meltdown project. She guides us through atmospheric grooves that tiptoe like the psychedelic reverberations of outer space, to the stomping rhythms that take over when bass-heavy beats define different spheres. Supported by musikfonds.de
